Carine Gutlerner à Carnegie Hall







Among some CONCERTS to come :

-"Autour du piano" : Salle Cortot

78, rue Cardinet

75017 Paris

Saturday January 9, 2021 at 8:30 PM


-"Accueil Musical": Eglise Saint-Merry

76, Rue de la Verrerie

75004 Paris

Sunday, February 14, 2021 at 4:00 PM


- BOZAR-Palais des Beaux-Arts

Rue Ravenstein 23

1000 Brussels

Tuesday March 2, 2021 at 8 PM



57th Street and Seventh Street

New York - NY 10019

Wednesday May 19, 2021 at 8 PM


Among some passed CONCERTS :

-"Accueil Musical" : Eglise Saint-Merry (Paris, 2020)

-"Autour du piano": Salle Cortot (Paris, 2020)

- CARNEGIE HALL (New York, 2019)

- INSTITUT  BALASSI -  Institut Hongrois, Collegium Hungaricum (Paris, 2019)

- CASINO BARRIERE- Salon des Gouverneurs (Trouville-sur-Mer, 2019)

-'Les Petits Concerts du Sablon' (Brussels, 2019)

- Harmonia Cultural Center (Jerusalem, 2019)

-"Autour du piano": Fondation Dosne-Thiers (Paris, 2019)

-"Accueil Musical": Eglise Saint-Merry (Paris, 2019)

- Pazo de Bendeiro (Lalin, Spain 2018)

-"Autour du piano": Fondation Dosne-Thiers (Paris, 2018)

-"Accueil Musical" : Eglise Saint-Merry (Paris, 2018)

- La Chartreuse (Sèvres, 2017)

- Music - Académie d'été au Moulin (Saint-Vincent-Rive-d'Olt, 2017)

Pianos Maene (Bruxelles, 2017)

Casino Barrière : Salon des Gouverneurs (Trouville-sur-Mer, 2017)

-"Accueil Musical" : Eglise Saint-Merry (Paris, 2017)

- "Autour du piano": Fondation Dosne-Thiers (Paris, 2017)

- Harmonia Cultural Center (Jerusalem, 2017)

- 'Les Petits Concerts du Sablon' (Brussels, 2016)

- Auditori Castanyer (Barcelona, 2016)

- CARNEGIE HALL (New York, 2016)

- UEVACJEA (Paris, 2016)

- "Autour du piano" : Fondation Dosne-Thiers (Paris, 2016)

- Mairie de Mont-près-Chambord (Mont-près-Chambord, 2015)

- CCLJ (Bruxelles, 2015)

- Eglise d'Albas (Albas, 2014)

- CARNEGIE HALL (New York, 2014)

-"Accueil Musical" : Eglise Saint-Merry (Paris, 2014)

- Atelier de la Main d'Or (Paris, 2014)

- L'Enclos Rey (Paris, 2013)

- "La Chartreuse" (Sèvres, 2013)

- 'Les Petits Concerts du Sablon' (Brussels, 2013)

- Temple de Blois (Blois, 2013)

- Notre Dame de Bon-Secours (Trouville, 2012)

- Pianos Maene (Brussels, 2012)

-‘ Les Petits Concerts du Sablon’ (Brussels, 2012)

- "Autour du piano" : Fondation Dosne-Thiers (Paris, 2011)

- Eglise du Bon-Secours (Paris, 2011)

- Eglise de Martiel (Aveyron, 2011)

- Carnegie’Small  (Paris, 2011)

- All Faith Chapel (Kansas State University, 2011)

- Murphy Hall (University of Kansas, 2011)

- CARNEGIE HALL (New York, 2006, 2008, 2011)



AUDIO EXCERPTS (piano, live concert)

Johann Sebastian BACH (1685-1750) : English Suite II

Prelude                                                                             4:49

Johannes BRAHMS (1833-1897) : Vier Klavierstücke op. 119, no. 2

Intermezzo                                                                        5:47

Béla BARTOK (1881-1945) : Sonata

Allegro moderato                                                               4:50




C. Gutlerner, piano - Beethoven, Brahms




RELEASE in 2020

..Ludwig van Beethoven: Sonata no. 23, op. 57  "Appassionata"
..Johannes Brahms: Intermezzi op. 117, Sonata ..no. 3, op. 5

..Carine Gutlerner, Piano
.CD (C.E.A. MUSIKA, 2019) /FNAC

.....DISCOVER the CD

C. Gutlerner, piano - Beethoven, Brahms







Ludwig van BEETHOVEN: Sonate op.111 in c minor
Johannes BRAHMS: Klavierstücke op.118

Carine Gutlerner, Piano

CD (C.E.A. MUSIKA, 2014) /FNAC / Arcades


C. Gutlerner, piano - Frank, Moussorgski








..César FRANCK: Prelude, Choral and Fugue
..Modest MUSSORGSKY: Pictures at an Exhibition

..Carine Gutlerner, Piano
..CD (C.E.A. MUSIKA, 2011) / FNAC


C. Gutlerner, piano - Bach, Beethoven, Brahms



J.S. BACH: English Suite  no. II
BEETHOVEN: Sonata op. 109
BRAHMS: Klavierstücke op. 119

Carine Gutlerner, Piano, live concert

CD (Ú-M-K, Budapest, 2010)

Price: 20 Euros + mailing fees

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Live Concert

BEETHOVEN : Sonata op. 109 : 1er movement  (4'22)

J. S. BACH : English Suite II (excerpts) : Bourrée 1 / Gigue  (3'39)




" Pianist Carine Gutlerner's comet passes through again. At Carnegie Hall's elegant Weill Recital Hall, she made a stirring return (...). She was, as we've grawn used to, in full command of her varied and challenging program. The full house picked up on Gutlerner's preparedness and subsequent assurance immediately, as they responded with a very appreciative applause. The audience was clearly drawn in as much by her commanding playing as by the evening's outstanding choice of repertoire (...). In New York City, we will be waiting for her return. Rolf Kristian Stang, The Norwegian American.


" The performer combines emotion and classicism to perfection, offering through her performance style a subtle bond between power and restraint.  Nelly Taillot, Ouest-France


" After a superb recording, dedicated to Franck and Mussorgsky, Carine Gutlerner pursues an amazing path – solitary as most of the true artists indeed – but with a dimension that would be like a quest of a universe both musical and spiritual at the same time (…). She touches us exactly at the right moment, ‘where and when’ one should be moved. Stéphane Friédérich, Pianiste


" Carine Gutlerner’s mastership and refinement. The audience was completely conquered by a grandiose musical performance, still asking for more. The variations on the greatest composers gave the dimension of this very exceptional artist. La Dépêche du Midi


" Carine Gutlerner is a citizen of the world and a talented music ambassador, who appeared in countless cities (...). Carnegie Hall was filled to capacity (…). At the conclusion of the concert, the audience gave her an enormous applause and everyone hopes to hear her soon again. Else Hvitendahl, Norwegian American Weekly


" There were moments of inspiration and beauty. Ms. Gutlerner played with commitment and special attention to detail (...) the performance was solid. Ms. Gutlerner’s playing of the Brahms pieces was exceptional. Jeffrey Williams, New York Concert Review


" The audience could appreciate her performance, alternating powerful and peaceful moments, always expressed with deep emotion, thanks to the perfect mastery of her instrument. La Nouvelle République


" Her sincerity is deeply moving, thus creating a feeling of ‘plenitude’ and the acceptance of being oneself (…). The construction is perfect and reveals a density of sound that avoids any superfluous effect. Stéphane Friédérich, Pianiste


" Carine Gutlerner’s touch works wonders: she perfectly captures every single idea in music (…). Masterly playing in all aspect ! Roger Bouchard, La Renaissance


" The famous pianist of international reputation Carine Gutlerner has enchanted the audience with a recital of a very high level. She entirely reveals herself as “a romantic performer” in the works that she plays. Jacques Henry, La Nouvelle République


" Masterly playing combining power and polish with the intimacy of a salon. Robert S. Clark, The Hudson Review


" Her playing is assured and geared to the cult of the solo pianist in complete control (…) a Sturm und Drang artist, capable of offering genuine moments of calm and tenderness. Barry L. Cohen, New Music Connoisseur


" The extraordinary pianist Carine Gutlerner is a bravura and adventuresome performer, clearly confident with creating grand effects at the keyboard. Robert S. Clark, The Hudson Review


" Carine Gutlerner is one of the most gifted and accomplished pianists I have ever heard (…).  There are very few artists of her artistic imagination and sensitivity presently playing before the world public. Jack Winerock


" Carine Gutlerner's sense of drama and many-layered technique brought dash, poignance and ultimately wonder to my 'Abandoned Bells'. William Mayer


" Theatricality and  mastery of playing—with ultimate prolongation of a  resonance, the suspension of a sound or a chord—all which illuminate the score in a very original way and in an unexpected manner (…) superb talent of a pianist - musician. Roger Tessier


" Carine Gutlerner is one of those very few and precious artists, who consider that the complete and the sincere expression of what they reveal behind their modesty, is their true reason to exist (…). It is the accomplishment of a wonderful performance, with genius' conceptions of interpretation. Serge Blanc


" An exceptional musician, with an acute sense of pitch, a true understanding of performance style and very strong ideas on interpretation (…) boundless enthusiasm and unusual powers of concentration. Simon Carrington


" With a rare intensity and a rare beauty (…) powerful, intense, precise with a unique sensuality… Serge Kribus


" Analytical rigour and romantic passion. André Lorant



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..Music CD's © C.E.A. MUSIKA & © Ú.M.K. Budapest / Compositions © SACEM / Drawings © ADAGP / Photos © Agnès Chaumat / © Carine Gutlerner 2010